A compelling argument that will inspire robust debate.
McConnell argues that there’s nothing more American than the ideal of motherhood—especially when the exploitation of mothers benefits capitalism.
The United States, Oman, and Papua New Guinea are the only three nations on Earth not offering paid parental leave, per the author. McConnell, a lawyer, asserts that this is due to the autonomy myth—the mentality that’s been responsible for keeping women and other marginalized groups down since the Pilgrims first set foot on Plymouth Rock. She perfectly encapsulates this mindset, defining it as believing “Independence is good and normal; dependence is depraved and abnormal.” The author makes her case in supremely cogent and delightfully pointed terms, conducting an intensive interrogation of female oppression: “Not coincidentally, the positive sides of these [independent] values are all manly virtues. Women are traditionally associated with dependency and assigned the work of caring for needy dependents, so denigration of dependency is fundamentally misogynistic.” And just so readers don’t start thinking the autonomy myth has only been weaponized against motherhood, McConnell explores how it’s also been used in other aspects of American life, including slavery. “One of the arguments against providing any assistance to the newly freed was that it would breed dependence,” she observes. The author starts strong with her well-researched (the text is supported by an extensive body of scholarly endnotes) takedown of what she sees as the perversity of the American economic system and never loses steam: “Each of us arrives in a state of debt,” she writes. “Far from being pathological, dependency is universal and inevitable. Once you acknowledge this basic human fact, the goal of ending dependency is revealed as truly bizarre.” Expect even the staunchest conservatives to call up their mothers with sincere thanks, and maybe even a little bit of contrition, after reading this one.
A compelling argument that will inspire robust debate.Pub Date: May 26, 2026
ISBN: 9798896363149
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Nov. 24, 2025
Review Program: Kirkus Indie
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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